Resource Key

LEVEL 1
brief, basic information laid out in an easy-to-read format. May use informal language. (Includes most news articles)

LEVEL 2
provides additional background information and further reading. Introduces some subject-specific language.

LEVEL 3
lengthy, detailed information. Frequently uses technical/subject-specific language. (Includes most analytical articles)
Henrik Ibsen
Introduction
Hedda Gabler, drama in four acts by Henrik Ibsen, published in 1890 and produced the following year. The work reveals Hedda Gabler as a selfish, cynical woman bored by her marriage to the scholar Jørgen Tesman. Her father’s pair of pistols provide intermittent diversion, as do the attentions of the ne’er-do-well Judge Brack. When Thea Elvestad, a longtime acquaintance of Hedda’s, reveals that she has left her husband for the writer Ejlert Løvborg, who once pursued Hedda, the latter becomes vengeful. Learning that Ejlert has forsworn liquor, Hedda first steers him to a rowdy gathering at Brack’s and subsequently burns the reputedly brilliant manuscript that he loses there while drunk. Witnessing his desperation, she sends him one of the pistols and he shoots himself. Brack deduces Hedda’s complicity and demands that she become his mistress in exchange for his silence about the matter. Instead, she ends her ennui with the remaining pistol. The work is remarkable for its nonjudgmental depiction of an immoral, destructive character, one of the most vividly realized women in dramatic literature.
Audiobook
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Librivox. (n.d.). Retrieved from https://librivox.org/
Librivox provides free public domain audiobooks read by volunteers from around the world. Simply search for 'Hedda Gabler' and download the zipped file to listen. Files are in MP3 format.
Playwright Biography
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Henrik Ibsen. (2015). In Encyclopædia Britannica. Retrieved from http://school.eb.com.au.db.plcscotch.wa.edu.au/levels/high/article/41947
Henrik Ibsen, in full Henrik Johan Ibsen, (born March 20, 1828, Skien, Norway—died May 23, 1906), was a major Norwegian playwright of the late 19th century who introduced to the European stage a new order of moral analysis that was placed against a severely realistic middle-class background and developed with economy of action, penetrating dialogue, and rigorous thought.
