Year
The Piano
Home

Resource Key

When accessing content use the numbers below to guide you:

LEVEL 1

brief, basic information laid out in an easy-to-read format. May use informal language. (Includes most news articles)

LEVEL 2

provides additional background information and further reading. Introduces some subject-specific language.

LEVEL 3

lengthy, detailed information. Frequently uses technical/subject-specific language. (Includes most analytical articles)

Databases

Introduction

The film opens with the arrival of a 30ish woman named Ada (Holly Hunter) and her young daughter, Flora (Anna Paquin), on a stormy gray beach. They have been rowed ashore, along with Ada's piano, to meet a local bachelor named Stewart (Sam Neill), who has arranged to marry her. "I have not spoken since I was 6 years old," Ada's voice tells us on the soundtrack. "Nobody knows why, least of all myself. This is not the sound of my voice; it is the sound of my mind." Ada communicates with the world through her piano, and through sign language, which is interpreted by her daughter. Stewart and his laborers, local Maori tribesmen, take one look at the piano crate and decide it is too much trouble to carry inland to the house, and so it stays there, on the beach, in the wind and rain. It says something that Stewart cares so little for his new bride that he does not want her to have the piano she has brought all the way from Scotland - even though it is her means of communication. He does not mind quiet women, is one way he puts it.

Ebert, R. (1993). The Piano. Retrieved from https://www.rogerebert.com/reviews/the-piano-1993

The Piano - SCSA Exam Extract

Chapman, J. (Producer). Campion. J. (1993). [Motion Picture]. The Piano. New Zealand: Jan Chapman Productions.

The Piano

Chapman, J. (Producer). Campion. J. (1993). [Motion Picture]. The Piano. New Zealand: Jan Chapman Productions.

The Piano Beach Scene

Murat Guroglu. (2014, June 8). The Piano Beach Scene - The Heart Asks Pleasure First. [Video File].  Retrieved from https://youtu.be/rfpHj1lC5Yk

How We Made: Michael Nyman and Jane Campion on The Piano

Michael Nyman Composer

Jane Campion called me while I was in the middle of watching Neighbours one lunchtime. We had never met, so I asked her "Why me?" She said she thought I was the one who could present a visual emotional world with the smallest number of notes in the shortest space. Then there was a slight pause and she said: "I don't want any of that Greenaway shit." She wanted a different style from the music I'd written for The Draughtsman's Contract, and the three other films I'd scored for Peter Greenaway in the 1980s.

Tims, A. (2012). How We Made: Michael Nyman and Jane Campion on the Piano. Retrieved from https://www.theguardian.com/film/2012/jul/30/how-we-made-the-piano

 

 

The Piano: A feminist classic? 25 years on it doesn’t look like it

Login to LibApps